Eduardo Carrillo: Comunidad de Califas exhibition


Eduardo Carrillo's gallery exhibit

Dates: Wed, Feb 3, 2021 to Fri, Apr 30, 2021

All images of Eduardo Carrillo’s work courtesy of Museo Eduardo Carrillo unless otherwise noted.

Eduardo Carrillo, Three Women of Tepeyac, 1993. Oil on linen, 48"x54"

Eduardo Carrillo, Three Women of Tepeyac, 1993. Oil on linen, 48″x54″
Collection of the Art Museum of South Texas, Gift of Mr. and Mrs. Thomas Keeler, 1996.10

Eduardo Carrillo, La Otra, 1984. Oil, 45" x 72"

Eduardo Carrillo, La Otra, 1984. Oil, 45″ x 72″

Eduardo Carrillo, Chala, 1985. Oil.

Eduardo Carrillo, Chala, 1985. Oil.

Eduardo Carrillo, The Family, 1996. Oil, 35" x 41.75"

Eduardo Carrillo, The Family, 1996. Oil, 35″ x 41.75″

Eduardo Carrillo, Jacobo, 1994. Watercolor, 13.25" x 10.5"

Eduardo Carrillo, Jacobo, 1994. Watercolor, 13.25″ x 10.5″

Eduardo Carrillo, Burial, 1984. Oil, 14" x 18"

Eduardo Carrillo, Burial, 1984. Oil, 14″ x 18″

Eduardo Carrillo, Santos Abarotes, 1987. Oil, 24" x 32"

Eduardo Carrillo, Santos Abarotes, 1987. Oil, 24″ x 32″

Eduardo Carrillo, Swimming, 1975. Watercolor, 7.125" x 10.325"

Eduardo Carrillo, Swimming, 1975. Watercolor, 7.125″ x 10.325″

Eduardo Carrillo, Two of Hearts, 1982. Oil, 48" x 54"

Eduardo Carrillo, Two of Hearts, 1982. Oil, 48″ x 54″

Eduardo Carrillo, Two Brothers Fighting, 1986. Oil, 88" x 65"

Eduardo Carrillo, Two Brothers Fighting, 1986. Oil, 88″ x 65″

Eduardo Carrillo, Ruben, 1992. Oil, 50" x 37"

Eduardo Carrillo, Ruben, 1992. Oil, 50″ x 37″

Eduardo Carrillo, Jacobo and Tio Beto, 1991. Oil, 20" x 30"

Eduardo Carrillo, Jacobo and Tio Beto, 1991. Oil, 20″ x 30″

Eduardo Carrillo, 55-Gallon Drum, 1983. Oil, 60" x 48"

Eduardo Carrillo, 55-Gallon Drum, 1983. Oil, 60″ x 48″

Eduardo Carrillo, Revolution, 1991. Oil, 18" x 24"

Eduardo Carrillo, Revolution, 1991. Oil, 18″ x 24″

Eduardo Carrillo, La Candelaria, 1988. Oil, 47" x 57"

Eduardo Carrillo, La Candelaria, 1988. Oil, 47″ x 57″

Eduardo Carrillo, Reaching for Coatlique, 1988. Oil on canvas, 40.5" x 83"

Eduardo Carrillo, Reaching for Coatlique, 1988. Oil on canvas, 40.5″ x 83″

Carmen Leon, Snake Woman. Oil on canvas.

Carmen Leon, Snake Woman. Oil on canvas.

Carmen León, writes in response to Eduardo Carrillo’s painting, Reaching for Coatlicue:

In some of my early work I draw my inspiration from the myths and legends of Meso-America. Eduardo’s painting Reaching for Coatlicue symbolizes the duality of creator and destroyer in that Coatlicue is the earth that both gives and destroys life. Also known as “Our Lady of the Serpent Skirt”, I connect Coatlicue to my painting of Cihuacoatl, Snake Woman Goddess of Motherhood and Fertility. Encircled by a snake as in a dance, Cihuacoatl embodies the symbol of nature’s rejuvenation.

En algunas de mis primeras obras, me inspire en los mitos y leyendas de Mesoamérica. La pintura de Eduardo, Reaching for Coatlicue, simboliza la dualidad de creador y destructor en que Coatlicue es la tierra que da y destruye vida. También conocido como “Our Lady of the Serpent Skirt”, conecto mi propia pintura de la CIhuacoatl, Snake Woman, una Diosa de Maternidad y Fertilidad. Rodeada por una serpiente prácticamente en baile, Cihuacoatl encarna el símbolo de la rejuvenecimiento de la naturaleza.

Eduardo Carrillo, Leda and the Swan, 1996. Oil on canvas, 56.5" x 51.5"

Eduardo Carrillo, Leda and the Swan, 1996. Oil on canvas, 56.5″ x 51.5″

Eduardo Carrillo, The Sacred Twins, 1984. Oil on canvas, 56" x 84"

Eduardo Carrillo, The Sacred Twins, 1984. Oil on canvas, 56″ x 84″

Eduardo Carrillo, The Place, 1984. Oil on canvas, 56" x 84"

Eduardo Carrillo, The Place, 1984. Oil on canvas, 56″ x 84″

Amalia Mesa-Bains, Installation view of The Library of Sor Juana Ines de la Cruz, 1994. Williams College

Amalia Mesa-Bains, Installation view of The Library of Sor Juana Ines de la Cruz, 1994. Williams College

Eduardo Carrillo, Flight of Sor Juana, 1982. Oil on canvas, 72" x 118"

Eduardo Carrillo, Flight of Sor Juana, 1982. Oil on canvas, 72″ x 118″

Eduardo Carrillo, Self Portrait, 1960. Oil, 29.25" x 31"

Eduardo Carrillo, Self Portrait, 1960. Oil, 29.25″ x 31″

Eduardo Carrillo, Self Portrait, 1993. Oil, 27.25" x 33.25"

Eduardo Carrillo, Self Portrait, 1993. Oil, 27.25″ x 33.25″

Eduardo Carrillo, Self Portrait While Drawing, 1986. Watercolor, 30" x 22"

Eduardo Carrillo, Self Portrait While Drawing, 1986. Watercolor, 30″ x 22″

Eduardo Carrillo, Self Portrait with Yellow Hat, 1990. Oil, 18.5" x 28"

Eduardo Carrillo, Self Portrait with Yellow Hat, 1990. Oil, 18.5″ x 28″

Eduardo Carrillo, Hippie Maracame, 1982. Oil, 30" x 36"

Eduardo Carrillo, Hippie Maracame, 1982. Oil, 30″ x 36″

Eduardo Carrillo, Doyle, 1992. Oil, 15" x 18"

Eduardo Carrillo, Doyle, 1992. Oil, 15″ x 18″

Eduardo Carrillo, Partial Self Portrait, N.D. Oil, 9.5" x 13.75"

Eduardo Carrillo, Partial Self Portrait, N.D. Oil, 9.5″ x 13.75″

Eduardo Carrillo, San Ignacio Mexican Blanket, 1990. Watercolor, 11.25" x 7.5"

Eduardo Carrillo, San Ignacio Mexican Blanket, 1990. Watercolor, 11.25″ x 7.5″

Eduardo Carrillo, El Chinaco, 1982. Oil, 67.5" x 60"

Eduardo Carrillo, El Chinaco, 1982. Oil, 67.5″ x 60″

Jennifer Ortiz, Niña de Primavera, 2018. Embroidered inkjet print on Belgian linen

Jennifer Ortiz, Niña de Primavera, 2018. Embroidered inkjet print on Belgian linen

Karina Tavarez Perez, Soldadera at Dawn, 2018. Watercolor and woodblock print 22” x 30”

Karina Tavarez Perez, Soldadera at Dawn, 2018. Watercolor and woodblock print 22” x 30”

Victor Cervantes, Marciano “Chango” Cruz, Drink Cultura Mural, 1993.

Victor Cervantes, Marciano “Chango” Cruz, Drink Cultura Mural, 1993.

Jorge Gomez-Gonzalez, Soy No Huicho, Soy Jorge, 2018. Inkjet print photo, 44” x 70”

Jorge Gomez-Gonzalez, Soy No Huicho, Soy Jorge, 2018. Inkjet print photo, 44” x 70”

Irene Juarez O’Connell, Detail of Beach Flats Park Mural, 2016.

Irene Juarez O’Connell, Detail of Beach Flats Park Mural, 2016.

Natalie Jauregui Ortiz, Sun to Sun II, 2019. Oil and charcoal on canvas, 36” x 36”

Natalie Jauregui Ortiz, Sun to Sun II, 2019. Oil and charcoal on canvas, 36” x 36”

Eduardo Carrillo, Los Músicos, 1991/1992, Oil, 39.74" x 37.5"

Eduardo Carrillo, Los Músicos, 1991/1992, Oil, 39.74″ x 37.5″ 

Eduardo Carrillo, Redwood Drive, 1992. Oil, 48.5” x 78”

Eduardo Carrillo, Redwood Drive, 1992. Oil, 48.5” x 78”

Eduardo Carrillo, La Paranda, 1983. Oil, 50" x 50"

Eduardo Carrillo, La Paranda, 1983. Oil, 50″ x 50″

Dedicatoria Chicana, Poem Francisco X. Alarcón, Drawing Eduardo Carrillo, Moving Parts Press Felicia Rice, letterpress and relief printmaking, 1989. Broadside in an edition of 60.

Dedicatoria Chicana, Poem Francisco X. Alarcón, Drawing Eduardo Carrillo, Moving Parts Press Felicia Rice, letterpress and relief printmaking, 1989. Broadside in an edition of 60.

The broadside of the poem “Dedicatoria Chicana” was one of a series I completed with UCSC students in 1989. In the series I paired the work of writing and art faculty and designed the broadsides, then my Porter College students set type and printed an edition of sixty copies each in my studio. Francisco Alarcón approached Ed about a drawing to accompany his poem, I did not speak with Ed directly at that time. This was my first collaboration with Chicano artists and set me on the path I have followed for over 30 years.

El Broadside del poema “Dedicatoria Chicana” fue parte de una serie que completé con estudiantes de UCSC en 1989. En la serie yo empareje escrito y arte, miembros de la facultad diseñaron los broadsides, y mis estudiantes del Porter College imprimieron 60 copias cada uno en mi estudio. Francisco Alarcón fue a Ed por un dibujo para acompañar el poema, No hablé con Ed directamente esa vez. Fue mi primera colaboración con artistas Chicanos y mi directo en mi camino de más de 30 años.

–Felicia Rice

Eduardo Carrillo, The Young Archaeologist, 1984. Oil, 18” x 24”

Eduardo Carrillo, The Young Archaeologist, 1984. Oil, 18” x 24”

Eduardo Carrillo, Ed in the Garden, 1993. Watercolor, 19” x 24”

Eduardo Carrillo, Ed in the Garden, 1993. Watercolor, 19” x 24”

Eduardo Carrillo, Tio Beto on the Wall, 1988. Oil, 33” x 37”

Eduardo Carrillo, Tio Beto on the Wall, 1988. Oil, 33” x 37”

Eduardo Carrillo, Harvesting the Plants, 1993. Oil, 10.75” x 15”

Eduardo Carrillo, Harvesting the Plants, 1993. Oil, 10.75” x 15”

Eduardo Carrillo, Quartet, 1992. Watercolor, 15” x 20.5”

Eduardo Carrillo, Quartet, 1992. Watercolor, 15” x 20.5”

Eduardo Carrillo, uliette and Ruben, 1983. Oil, 48” x 54”

Eduardo Carrillo, uliette and Ruben, 1983. Oil, 48” x 54”

Eduardo Carrillo, Bubble Bath, 1971. Oil, 60" x 60"

Eduardo Carrillo, Bubble Bath, 1971. Oil, 60″ x 60″

Eduardo Carrillo, Ego Death, 1992. Oil, 32.25” x 38.25”

Eduardo Carrillo, Ego Death, 1992. Oil, 32.25” x 38.25”

Ralph D'Oliveira The New Bogeymen, 2020. Oil on canvas.

Ralph D’Oliveira The New Bogeymen, 2020. Oil on canvas.

In 1974 as a junior transfer from Santa Barbara City College to UCSC, I had the good fortune and privilege to have Ed Carrillo as my advisor, mentor, and friend. Ed was down to earth, unassuming, kind, funny playful, besides being a brilliant painter. Through my many years as a community artist I could always count on Ed’s sage advice concerning various issues I has having on a mural project.

As for my favorite painting of Ed’s, “Las Tropicanas,” what can I say? It was Ed: earthy, spacey, psychedelic, dreamlike, and abstruse. I first viewed “Las Tropicanas” on my first meeting at his house off Highway 9 in Ben Lomond. Ed greeted me at his front door and then led me into his studio. For the first time I viewed “Las Tropicanas,” I must confess I said to myself “As long as I live, I’m never going to be able to paint like that, what am I getting myself into, I should take my uncle’s advice and be a plumber.” Anyways, it was one of the most beautiful, mysterious, and mystical images I have ever seen in my life to this day.

Over the years I have contemplated on this masterpiece and have come to my own personal conclusion that it reflected Ed’s worldview of the playing of light playing on surfaces, figures in space and time, mythical beasts. The hunt for the perfect composition, the hidden Diagonal, triangle (pyramid), giving and sharing of our cultural heritage, the juxtaposition of ancient and modern, and in the end, how “life and death art part of the same circle.”

–Ralph D’Oliveira

Eduardo Carrillo, Las Tropicanas, 1972. Oil on canvas, 84" x 132"

Eduardo Carrillo, Las Tropicanas, 1972. Oil on canvas, 84″ x 132″

Eduardo Carrillo, Sacrifice of the Head and Heart, 1977. Oil on canvas, 132" x 204

Eduardo Carrillo, Sacrifice of the Head and Heart, 1977. Oil on canvas, 132″ x 204

Exhibition Poster, designed by Victoria May

Exhibition Poster, designed by Victoria May

Last modified: Nov 19, 2024